Arte, poder e identidad en Iberoamérica. De los virreinatos a la construcción nacional.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

La Historia elemental de Cuba para uso de las escuelas primarias, tuvo más de diez ediciones entre 1928 y 1964. La presente selección abarca varios capítulos del texto original. A cargo de Ramiro Guerra, uno de los más connotados historiadores cubanos, esta obra relata los avatares de la historia nacional de Cuba desde los tiempos previos a la conquista hasta el siglo XX.

This book captures some of the key moments in the life of the WTO since it came into being on 1 January 1995. Over 150 photos provide insights into the work of the organization over the past quarter of a century, reflecting 25 years of challenges, successes and perseverance. The photos are presented in chronological order, starting in 1995 with the birth of the WTO and the appointment of its first director-general. All major events over the past 25 years are depicted, ranging from the WTO's 11 ministerial conferences to activities held at the WTO's headquarters in Geneva. The book concludes...

This study offers a profound study of Arrufat's play, using most recent critical trends concerning the performance aspect of the drama. It examines the genre of the drama and its relationship to the phenomenon of the Cuban Revolution, Arrufat as a Cuban playwright of the 60s and his re-writing of the Greek theme of the fratricidal fight in Aeschylus' Seven Against Thebes. Also contains a recent interview with Arrufat in which he describes the social circumstances surrounding the play and some of his classical re-writing techniques.