Breve historia contemporánea del Brasil

Ten la valentía de atreverte con Dios. Prueba.No tengas miedo de él.Ten la valentía de arriesgar con la fe.Ten la valentía de arriesgar con la bondad.Ten la valentía de arriesgar con el corazón puro.Comprométete con Dios;y entonces verás que precisamente asítu vida se ensancha y se ilumina,y no resulta aburrida, sino llena de infinitas sorpresas,porque la bondad infinita de Diosno se agota jamás.Benedicto XVI

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Hilvanando Emociones es una obra en el que se puede observar que el conjunto de trabajos reunidos en esta obra da cuenta de las potencialidades y desafíos aún por abordar desde la óptica de las emociones para la aprehensión y comprensión de lo social en perspectiva situada. Viejos y nuevos temas, todos relacionados y concatenados en torno a las emociones son parte de un modelo de relaciones en que es posible distinguir una lectura política y desde el género, tanto desde la Historia, como de la Literatura y las Ciencias Sociales.