Los animales de la sabana

Justin Jordan (John Flood, Spread) tackles a provocative topic-the violent drug cartels of Mexico-partnering with artist Raul Trevino, who lives in Mexico and is drawing on his first-hand experiences to inform the story. A DEA agent, who disappeared in Mexico years ago, has resurfaced and is now out-brutalizing some of the cartels he was sent to investigate. His daughter has been tasked with stopping him?by any means necessary. Perfect for fans of Scalped, the novels Heart of Darkness and Savages, or the film Apocalypse Now.

1680. En el estercolero que es el París de la corte de Luis XIV, el ministro Louvois crea La Cámara Secreta, un servicio clandestino que reúne a los me-jores especialistas de la época. Espionaje, contraespionaje, sabotajes, secues-tros, dudas...Estos agentes se encargan de todas las misiones de las que nadie habla nunca. De entre todos ellos destaca una “femme fatale”, una flor letal en este estercolero. Se llama Marie. Su nombre en clave es Belladona.

A SALVAÇÃO AO ALCANCE DO UNIVERSO OU a DESTRUIÇÃO DE TUDO o QUE EXISTE. Ela se denomina Deusa e se declara a salvadora de todos os seres vivos. Metade dos heróis a apoia, lutando por seus ideais a todo custo. A outra metade conta com Thanos ao seu lado. Como a Deusa pode ser considerada uma vilã e a paz que ela oferece ao universo tida como algo ruim? e qual sua relação com Adam Warlock, o guardião das Joias do Infinito? Descubra as respostas para essas questões e testemunhe uma das mais espetaculares reuniões de heróis já vista na conclusão da maior de todas as sagas cósmicas...

What happens when the life you thought you had does a 180º turn? Everything, and yet…nothing. Us is Sara and Diana’s love story, as well as the story of Diana’s gender transition. Full of humor, heartache, and the everyday triumphs and struggles of identity, this graphic memoir speaks to changing conceptions of the world as well as the self, at the same time revealing that some things don’t really have to change. Written, drawn, and colored by Sara Soler, with English translation by Silvia Perea Labayen and letters by Joamette Gil.