Me gusta escribir

This book comprises the testimonies of five founders of the workshop Taller 4 Rojo: Carlos Granada (1933-2015), Diego Arango (1942), Umberto Giangrandi (1943), Jorge Mora (1944) and Fabio Rodríguez Amaya (1950). It is a long dialogue held with another collective, the workshop Taller Historia Crítica del Arte (workshop Critical History of Art), setting up a document, which in addition to their voices and controversial memoirs, includes the complex documentary collections that they still preserve. Developed in the context of the vast programme of research on the relations between art and...

Un niño solo encuentra a un amigo imaginario llamado Migo con quien puede jugar, y luego no se siente tan solo.

Este libro reune por primera vez todos los escritos dispersos sobre Velázquez publicados por Enriqueta Harris en inglés y en español desde 1950: artículos en revistas especializadas, ensayos para catálogos de exposiciones sobre el artista y reseñas de libros y exposiciones de tema velazqueño. Complemento necesario de su clásico libro sobre el artista, estos 40 textos permiten recorrer toda una vida dedicada al estudio, jalonada de descubrimientos que han cambiado en buena medida nuestro conocimiento moderno sobre Velázquez.

From the late 1950s until the 1980s, the German-born Venezuelan artist Gego (Gertrud Goldschmidt) made drawings, prints, three-dimensional works, hanging-net pieces (reticulareas), and wire constructions (drawings without paper) of extraordinary quality. Taken as a whole, these works illustrate the issue at the core of her production: the liberation of line from volume and form into space. Though little known outside of Latin America, Gego's work enjoyed a dialogue with twentieth-century artists and movements active not only in Venezuela, but also worldwide. In a series of essays examining...