Calor Afgano: Operaciones del SAS En Afghanistan

This study is a highly innovative body of research on the supply of raw material in prehistoric Iberia. The archaeological assemblages from recently excavated sites in north-eastern Spain are clearly presented, as are the various methods for the characterisation of flints and the determination of geological origins. The study is important in terms of the new data provided on raw material supply at the end of the Upper Palaeolithic in Iberia and a reconstruction of mobility patterns and resource exploitation of hunter-gatherer groups during the Pleistocene/Holocene transition. In Spanish.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

La historia de España está repleta de personajes con excepcionales cualidades físicas e intelectuales que les proporcionaron un talento por encima del resto. Fuertes, valientes, resistentes, inteligentes… «Superhéroes», al fin y al cabo. César Cervera rescata, con excepcional agudeza y detalle, el mito y la realidad de aquellos hombres y mujeres que trufaron los campos de batalla de Europa con extraordinarias gestas. Desde Diego García de Paredes al Duque de Osuna, pasando por Julián Romero, Juan del Águila o la Monja Alférez, esta obra pretende ser un recuerdo objetivo y...

La barbarie ordinaria analiza la obra de un autor, Zoran Music, que ha sido objeto en repetidas ocasiones del interés de Jean Clair. Music ocupa un lugar central en la cultura europea que surge de los campos de concentración del nacionalsocialismo. Sus dibujos y pinturas siempre están determinados por su estancia en Dachau, y la reflexión plástica sobre su estancia es un documento clásico, equiparable a los textos de Primo Levi, Robert Antelme y Giorgio Agamben.