El Ateneo de Madrid

Carlos III (1716-1788) es el representante más destacado del Grand Tour, compendio de la alta cultura europea del Siglo de las Luces, según lo atestigua su viaje a Italia, en 1731, para hacerse cargo del ducado de Parma, ser proclamado en Florencia príncipe heredero de Toscana y hacer una entrada apoteósica en Roma después de fundar el reino de las Dos Sicilias, donde patrocinará las excavaciones de Herculano y Pompeya poniendo así las bases a la arqueología científica y al gusto neoclásico que imperará en la Europa de finales del siglo XVIII y buena parte del XIX. Al dejar Italia...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

EN ESTE LIBRO INTERVIENEN: REYES PRO JIMENEZ, Consejera Técnica de la Biblioteca Pública Provincial Infanta Elena de Sevilla e historiadora. JOSE CARLOS GUERRA, realizador de audiovisuales. FRANCISCO CORREAL, periodista. JOSELE MORENO, humorista. RAFAEL SANMARTIN, Historiador, escritor y periodista. JULIO MOREMO VENTAS, Presidente de la Academia Andaluza de Gastronomía y Turismo. ANTONIO ESTRADA, impresor de los de minervas y tipos de metal. FRAN G. MATUTE, periodista. FRANCISCO PEREZ AGUILAR, Director de Proyectos de Astilleros Españoles de Sevilla. MANUEL SANVICENTE, reportero gráfico...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...