Lazio e Sabina

This study offers a profound study of Arrufat's play, using most recent critical trends concerning the performance aspect of the drama. It examines the genre of the drama and its relationship to the phenomenon of the Cuban Revolution, Arrufat as a Cuban playwright of the 60s and his re-writing of the Greek theme of the fratricidal fight in Aeschylus' Seven Against Thebes. Also contains a recent interview with Arrufat in which he describes the social circumstances surrounding the play and some of his classical re-writing techniques.

En 1905, el emperador bizantino Alejo pidió ayuda a los estados cristianos de Europa occidental en su lucha contra los turcos, que barrían el Imperio tras la contundente derrota de los bizantinos en Mankikert (1071). A continuación se organizó la Primera Cruzada, protagonizada por varios ejércitos de «peregrinos armados» que marcharon a través de toda Europa hacia Tierra Santa. Estos ejércitos se encontraron con un mundo islámico dividido y fragmentado, y, mediante una serie de batallas aparentemente milagrosas, llegaron a tomar la sagrada ciudad de Jerusalén. Sin embargo, el...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

La última gran batalla europea de la Segunda Guerra Mundial y la estremecedora agonía del Tercer Reich. Combinando unas dotes narrativas fuera de lo común y un extraordinario talento de militar, Beevor describe tanto la complejidad de las grandes operaciones militares y la lógica de las decisiones de sus mandos como los sentimientos de la gente atrapada en un torbellino de fuego y metralla.