Euskal Herria y el aporte europeo a la Iglesia en el Río de la Plata

The complexity of a country in which violence and internal armed-conflict coexist with enormous cultural, natural, and human riches is captured in this illuminating essay by Colombian poet William Ospina. The accompanying photographs—all previously unpublished—are taken by some of Colombia's best photographers, and each in its own way sheds light on the possibility of a future in which the nation may become reconciled with itself. Esta colección de textos del célebre escritor colombiano William Ospina es un retrato de matices, buenos y malos, escrito de manera crítica pero certera...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for...

Una guía indispensable para la introducción al estudio de la arqueología mediante un trabajo sistemático que incluye aspectos filológicos, artísticos, históricos y metodológicos

In the sixteenth century, in the eyes of the ruling class, land, arable land, remained the basis of all prosperity. As the dignitary rose in rank, he acquired the rights to more and larger areas of real estate. Theoretically, nobody was the owner of the land. The land belonged to the collective owner, calpulli, to public institutions such as temples, or to the city itself. There was no private ownership of the land, there was collective ownership with individual right of use.