La narración artística como documento

Góngora's Soledades, the major lyric poem of the Spanish Baroque. Combining philological rigor with a capacity to engage the most contemporary transatlantic and comparatist concerns, this work situates Luis de Góngora's Soledades within the problematic evolution of Hispanic modernity. As well as offering an insightful analysis of the Soledades as an expression of the Baroque crisis in all its facets -epistemological, ontological, cultural and historical - the author reads the fragmented lyric subject of Gongorist poetics back against Renaissance precursors [Rojas' Celestina and the poetry...

This book provides an overview of the main routes and trends that the Mexican theater journeyed in the twentieth century. It specially seeks to link the texts, the ideas about the scene, the way of acting, the sense of direction and the public of that time. Therefore, its about approaching through different points of view to an integrated perspective of the theatrical phenomenon in Mexico over a century staging, text and society.

Una serie de magníficos ensayos cuyo hilo conductor es la discusión sobre las frágiles relaciones entre moral y estética. Después de Contra la interpretación (1968) y Estilos radicales (1969), en Bajo el signo de Saturno (1980) se encuentran reunidos una serie de ensayos magníficos los dedicados a Antonin Artaud y a Leni Riefensthal cuyo hilo conductor es la discusión sobre las frágiles relaciones entre moral y estética. Defensora de la independencia del arte respecto a las ideas de sus creadores «una obra de arte es una cosa en el mundo, no un texto o comentario sobre el mundo»,...

This book is virtually the only source of knowledge concerning its author's early life. He was born in Montemor-o-Velho some ten or twelve years before the death of King Manuel in December 1521. About the time of the latter event he to Lisbon and intered 'the service or relatives.'