PAISAJES, TIEMPOS Y MEMORIA

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Samuel Dermer fue una figura esencial en el desarrollo comunitario. Su labor y dedicación fue invaluable para las familias de la Comunidad Judía de Chile. Don Samuel comenzó a trabajar en el Cementerio Israelita de Santiago en 1985 labor que realizó ininterrumpidamente por treinta y cinco años. Él era el encargado de acompañar a nuestros seres queridos que habían fallecido. Don Samuel Dermer les leía tehilim y su preferido era el 79. Este libro es un tributo para este gran hombre que marcó a la Comunidad Judía de Chile de una manera que es imposible de dimensionar.

Patricios en contienda explora las maneras en que los cuadros de costumbres fueron usados en Colombia, Ecuador y Venezuela para nacionalizar poblaciones heterogeneas y producir pueblos nacionales para estos tres paises tras la disolucion de la llamada Gran Colombia (1819-1831). Al situar los cuadros de costumbres en el contexto de las guerras civiles y reformas liberales, esta investigacion muestra como las antiguas elites orgullosas de su abolengo colonial--como Jose Maria Vergara y Vergara (1831-1872) o Fermin Toro (1806-1865)--los usaron para legitimarse frente a las nuevas elites que...